This essay examines the different levels and meanings of liminal experience in Angela Carter’s “The Bloody Chamber.” Framed by an anthropological understanding of “rites of passage,” the analysis focuses on similarities between the traditional misogynistic take on the “Bluebeard” heroine’s motivations and dominant negative interpretations of the disobedience of Eve in the biblical story of the fall. The result of Carter’s vindication of Bluebeard’s wife marks the possibility for sympathetic identification with Eve through an individual reader’s “initiation” into new ways of seeing the disobedience of women
Angela Olive (Stalker) Carter (1940-1992) positions herself as a writer in the "demythologizing busi...
This article focuses on the debate about the nature and representation of female sexual desire, on t...
As a tale teller, Angela Carter recognizes that indeed no story is ever the whole story. This essay ...
This essay examines the different levels and meanings of liminal experience in Angela Carter’s “The ...
Angela Carter’s “The Bloody Chamber” conflates sexuality and death in a feminist reworking of the Bl...
With the use of gender criticism, this essay analyses the myths about women and how they and men use...
This study examines Angela Carter’s demythologising of origin myths and will investigate the extent ...
The relation between Angela Carter and the fairy tale has attracted an ever-increasing number of wri...
This paper argues for the significance of Carter’s novel as a critique of violence as feminist strat...
A comparative analysis of Angela Carter's The Bloody Chamber against their original tales to highlig...
Within the scope of the literary field, hermeneutics is applicable to disclose the subtle textual im...
This research applies Lacanian psychoanalysis to scrutinize the use of improvisation and radical obj...
Angela Carter (1940-92) in her famous short story, The Bloody Chamber, depicts a protagonist whose i...
ABSTRACT. An analysis of three rewritten fairy-tales from Angela Carter’s The bloody chamber and oth...
Some readers of Angela Carter’s “The Bloody Chamber” have seen its narrator protagonist as a passive...
Angela Olive (Stalker) Carter (1940-1992) positions herself as a writer in the "demythologizing busi...
This article focuses on the debate about the nature and representation of female sexual desire, on t...
As a tale teller, Angela Carter recognizes that indeed no story is ever the whole story. This essay ...
This essay examines the different levels and meanings of liminal experience in Angela Carter’s “The ...
Angela Carter’s “The Bloody Chamber” conflates sexuality and death in a feminist reworking of the Bl...
With the use of gender criticism, this essay analyses the myths about women and how they and men use...
This study examines Angela Carter’s demythologising of origin myths and will investigate the extent ...
The relation between Angela Carter and the fairy tale has attracted an ever-increasing number of wri...
This paper argues for the significance of Carter’s novel as a critique of violence as feminist strat...
A comparative analysis of Angela Carter's The Bloody Chamber against their original tales to highlig...
Within the scope of the literary field, hermeneutics is applicable to disclose the subtle textual im...
This research applies Lacanian psychoanalysis to scrutinize the use of improvisation and radical obj...
Angela Carter (1940-92) in her famous short story, The Bloody Chamber, depicts a protagonist whose i...
ABSTRACT. An analysis of three rewritten fairy-tales from Angela Carter’s The bloody chamber and oth...
Some readers of Angela Carter’s “The Bloody Chamber” have seen its narrator protagonist as a passive...
Angela Olive (Stalker) Carter (1940-1992) positions herself as a writer in the "demythologizing busi...
This article focuses on the debate about the nature and representation of female sexual desire, on t...
As a tale teller, Angela Carter recognizes that indeed no story is ever the whole story. This essay ...